Times of Crisis

The seventeenth century in England began with the birth of the future King, Charles I, and ended under the reign of his grandson William III of England. The century was a period of great political and social turmoil in which wars raged, disease ravaged, a monarchy was overthrown and a king was killed.

The books produced during this time offer a glimpse into the sense of uncertainty and anxiety that no doubt prevailed as a result of these events. They speak to us with a voice that is clearly of their time, but also of great relevance to the world today.

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1 – Crisis of the mind

Robert Burton, <em>The anatomy of melancholy...</em>, fifth edition, Edinburgh, printed [by Robert Young, Edinburgh, 1635?; London, Miles Flesher, London, 1638; Oxford, Leonard Lichfield and William Turner for Henry Cripps, 1638, State Library, Victoria, Melbourne (RAREEMM 251/3)

Robert Burton, The anatomy of melancholy..., fifth edition, Edinburgh, printed [by Robert Young, Edinburgh, 1635?; London, Miles Flesher, London, 1638; Oxford, Leonard Lichfield and William Turner for Henry Cripps, 1638, State Library, Victoria, Melbourne (RAREEMM 251/3)

Robert Burton, an obscure academic at Oxford University, first published The Anatomy of Melancholy in 1621.
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This is rather like a very large self-help book, dealing with many types of melancholy, an illness not unlike modern day depression.
To the left a landscape of Jealousy,
Presents itself unto thine eye.
A Kingfisher, a Swan, an Hern,
Two fighting-cocks you may discern,
Two roaring Bulls each other hie,
To assault concerning venery.
Symbols are these; I say no more,
Conceive the rest by that’s afore.
The next of solitariness,
A portraiture doth well express,
By sleeping dog, cat, Buck and Doe,
Hares, Conies in the desert go,
Bats, Owls the shady bowers over,
In melancholy darkness hover.
Mark well, If’t be not as’t should be,
Blame the bad Cutter, and not me.
I’th’ under column there doth stand
Inamorato with folded hand;
Down hangs his head, terse and polite,
Some ditty sure he doth indite.
His lute and books about him lie,
As symptoms of his vanity.
If this do not enough disclose,
To paint him, take thyself by th’ nose.
Hypocondriacus leans on his arm,
Wind in his side doth him much harm,
And troubles him full sore, God knows,
Much pain he hath and many woes.
About him pots and glasses lie,
Newly brought from’s Apothecary.
This Saturn’s aspects signify,
You see them portray’d in the sky.
Beneath them kneeling on his knee,
A superstitious man you see,
He fasts, prays, on his Idol fixt,
Tormented hope and fear betwixt,
For Hell perhaps he takes more pain,
Than thou dost Heaven itself to gain.
Alas poor soul, I pity thee,
What stars incline thee so to be?
But see the madman rage downright
With furious looks, a ghastly sight.
Naked in chains bound doth he lie,
And roars amain he knows not why!
Observe him; for as in a glass,
Thine angry portraiture it was.
His picture keep still in thy presence;
Twixt him and thee, there’s no difference.
At the same time, Burton comments on all the events of his time, many of them very familiar to us today – alarm generated by news media, political crises, plagues and illnesses of various kinds.
When first published in 1621 the Thirty Years War was starting in Europe, pitting Catholics and Protestants against each other and laying waste to vast areas with the death of between 5 and 8 million people.
Recruitment of troops, 1633 engaving by Jacques Callot depicting large groups of figures in armour with weapons, National Gallery of Victoria, Melbourne (2222.2-4).
Jacques Callot, Recruitment of troops, c. 1633, National Gallery of Victoria, Melbourne (2222.2-4)
I hear new news every day, and those ordinary rumours of war, plagues, fires, inundations, thefts, murders, massacres, meteors, comets, spectrums, prodigies, apparitions, of towns taken, cities besieged… battles fought, so many men slain… peace, leagues, stratagems, and fresh alarms. … New books every day, pamphlets, corantoes, stories, whole catalogues of volumes of all sorts, new paradoxes, opinions, schisms, heresies, controversies in philosophy, religion etc.
On the other hand, he does also offer cures or at least methods to ameliorate suffering.
Borage and Hellebor fill two scenes,
Sovereign plants to purge the veins
Of melancholy, and cheer the heart,
Of those black fumes which make it smart;
To clear the brain of misty fogs,
Which dull our senses, and Soul clogs.
The best medicine that e’er God made
For this malady, if well assay’d.

2 – Politics and plague

George Wither, <em>Britain's remembrancer containing a narration of the plague lately past; a declaration of the mischiefs present; and a prediction of iudgments to come; (if repentance prevent not.)...</em>, London, imprinted for Great Britaine, and are to be sold by Iohn Grismond in Ivie-Lane, 1628, State Library Victoria, Melbourne (RAREEMM 332/3)

George Wither, Britain's remembrancer containing a narration of the plague lately past; a declaration of the mischiefs present; and a prediction of iudgments to come; (if repentance prevent not.)..., London, imprinted for Great Britaine, and are to be sold by Iohn Grismond in Ivie-Lane, 1628, State Library Victoria, Melbourne (RAREEMM 332/3)

George Wither was at times a fierce critic of the court of James I, which landed him in jail.
Engraving of a bust of a middle-aged man in an oval. He is wearing a large black hat and a large, white, lace collar.
John Payne, George Wither, published 1635, National Portrait Gallery, London (NPG D27982)
In 1613 Wither published a set of satires titled Abuses Stripped and Whipped. He directed his satires at all levels of society but especially infuriated the Lord Chancellor, who had him arrested and jailed in 1614: lines like these were fairly provocative:
There be Court Barons many in the way,
Thus mayest thou to the Guardians of them say,
Their policy in raising fines and rents,
Hath put poor men beside their tenements:
And tell them, let them answer if they can,
Their false Court-roles hath undone many a man.
In this long narrative poem, titled Britain’s Remembrancer Wither continued his jaundiced view of the times.
Thy Gentry, Britain, is not as it was.
To be a Gentleman, is now, to wear
Fantastic habits, horrid oaths to swear
To wiff Tobacco; to be drunk, and game;
To do a villany, and boast the same.
To dare the Pox; to talk with impudence
How oft they had it, without griefe or sense.

For all the Land much troubled we may see.
While much of the poem is a critique of a state full of political division, it also contains substantial, moving accounts of the plague, which reached massive proportions in 1625, and which Wither describes in vivid detail.
The Plague went on; and, in (among us) broke
With such unequall’d fury, and such rage;
As Brittan never felt in any age.
With some at every turning she did meet.
Of every Alley, every Lane and Street
She got possession.
Woodcut of a skeleton with its arms outstretched towards the sky. Above it is a lightning bolt coming out from a dark cloud. Behind it is the city of London. To its left, two figures are slumped against a hay stack. To its right, a group of men are being held back by the weapons of an army.
Thomas Dekker, A Rod for Run-awayes. Gods tokens, of his feareful iudgements, sundry wayes pronounced vpon this city, and on seuerall persons, both flying from it, and staying in it..., London, printed by Iohn Trundle, 1625, British Library, London (Ashley 617)

3 – ‘A damnable treason …’

<em>A damnable treason, by a contagious plaster of a plague-sore: wrapt up in a letter, and sent to Mr. Pym: wherein is discovered a divellish, and unchristian plot against the High Court of Parliament, October 25. 1641.</em>, London, printed for W.B., 1641, State Library Victoria, Melbourne (RAREEMM 837/8)

A damnable treason, by a contagious plaster of a plague-sore: wrapt up in a letter, and sent to Mr. Pym: wherein is discovered a divellish, and unchristian plot against the High Court of Parliament, October 25. 1641., London, printed for W.B., 1641, State Library Victoria, Melbourne (RAREEMM 837/8)

John Pym (1583/84–1643) was a prominent member of the English Parliament and a key player in Parliament’s defeat of Charles I.
Naturally, Pym was despised by Royalists; in 1641, during a debate in the Commons, he received a letter containing an old bandage from a plague patient.
This pamphlet gives a detailed account of the event as well as the contents of the letter addressed to Pym:
Mr Pym, Doe not thinke that a Guard of men can protect you, if you persist in your Traytorous courses, and wicked Designes. I have sent a Paper-Messenger to you, and if this does not touch your heart, a dagger shall, so soon as I am recovered of my Plague-Sore: In the mean time you may be forborne, because no better man may bee indangered for you. Repent Traytor.

4 – ‘… being his last sermon’

John Donne, <em>Deaths duell, or, A consolation to the soule against the dying life and liuing death of the body: deliuered in a sermon at White Hall before the Kings Maiesty in the beginning of Lent 1630...</em>, London, printed by Thomas Harper for Richard Redmer and Beniamin Fisher, and are to be sold at the signe of the Talbot in Alders-gate street, 1632, State Library Victoria, Melbourne (RAREEMM 321/21)

John Donne, Deaths duell, or, A consolation to the soule against the dying life and liuing death of the body: deliuered in a sermon at White Hall before the Kings Maiesty in the beginning of Lent 1630..., London, printed by Thomas Harper for Richard Redmer and Beniamin Fisher, and are to be sold at the signe of the Talbot in Alders-gate street, 1632, State Library Victoria, Melbourne (RAREEMM 321/21)

John Donne is perhaps one of the most recognisable poets from the early modern period, and the image of Donne dressed in his shroud preparing for death accompanying this sermon is the most arresting image of him.
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Donne’s sermons are as powerful as his poems …
As the Dutch poet and composer Constantijn Huygens said of Donne’s command of language
From your golden mouth, whether in the chamber of a friend,
or in the pulpit, fell the speech of Gods,
whose nectar I drank again and again with heartfelt joy.
Painting of a man sitting in front of a dark background. He is wearing a black hat and white collar. He has a moustache and goatee.
Jan Lievens, Portrait of Constantijn Huygens, c. 1628 - c. 1629, Rijksmuseum, Amsterdam (SK-C-1467)
John Donne, <em>Deaths duell, or, A consolation to the soule against the dying life and liuing death of the body: deliuered in a sermon at White Hall before the Kings Maiesty in the beginning of Lent 1630...</em>, London, printed by Thomas Harper for Richard Redmer and Beniamin Fisher, and are to be sold at the signe of the Talbot in Alders-gate street, 1632, State Library Victoria, Melbourne (RAREEMM 321/21)

John Donne, Deaths duell, or, A consolation to the soule against the dying life and liuing death of the body: deliuered in a sermon at White Hall before the Kings Maiesty in the beginning of Lent 1630..., London, printed by Thomas Harper for Richard Redmer and Beniamin Fisher, and are to be sold at the signe of the Talbot in Alders-gate street, 1632, State Library Victoria, Melbourne (RAREEMM 321/21)

This sermon, titled Deaths duell, or, A consolation to the soule against the dying life and liuing death of the body, was preached before King Charles in 1631…
Full-length painting of Charles I wearing red, velvet robes and a hat with large, white feathers. He is leaning against a table. On it is a crown, orb and sceptre.
Daniel Mytens, Charles I, 1633, Saint Louis Art Museum, Missouri (118:1916)
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In all our periods and transitions in this life, are so many passages from death to death; our very birth and entrance into this life is an issue from death, for in our mother’s womb we are dead, so as that we do not know we live, not so much as we do in our sleep, neither is there any grave so close or so putrid a prison, as the womb would be if we stayed in it beyond our time or died there before our time.
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It is in essence a call to everyone, from king to commoner, to think upon the inevitability of death, but at the same time to have faith in Christ and the resurrection.

5 – ‘Communicating intelligence’

Marchamont Nedham, <em>Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order</em>, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

Marchamont Nedham, Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

The seventeenth century saw the rise of what we would now recognise as newspapers …
… but the outbreak of the Civil War meant that curbs on the press were no longer effective, so partisan news became consumed in vast quantities.
Mercurius Britanicus was a typical, short, cheap, up-to-the-minute newsbook, written weekly by Marchamont Nedham in support of the parliamentary cause.
Marchamont Nedham, <em>Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order</em>, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

Marchamont Nedham, Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

But in an earlier issue Parliament felt Nedham went too far in accusing the king of attempting to subvert Protestants in Ireland in order to enlist Irish Catholic rebels to the Royalist cause.
Marchamont Nedham, <em>Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order</em>, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

Marchamont Nedham, Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

This issue is therefore by way of an apology to Parliament, though the apology in a way reasserts some of the accusations. Of course not that many years later a somewhat different Parliament was prepared to arrest, try and eventually execute the king.
Marchamont Nedham, <em>Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order</em>, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

Marchamont Nedham, Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

Marchamont Nedham, <em>Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order</em>, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

Marchamont Nedham, Mercurius Britanicus, his apologie to all well-affected people. Together with an humble addresse to the High Court of Parliament. Published according to order, London, printed for R.W., 1645, State Library Victoria, Melbourne (RAREEMM 832/13)

6 – Dreams and merry pills

George Parker, <em>A double ephemeris, for the year of our Lord, 1700...</em>, London, printed for the author, at the Ball and Star in Salisbury-Court, and sold by W. Hunt at the Ball in Paul's Ally in St. Paul's Church-Yard, 1700, State Library Victoria, Melbourne (RAREEMM 325/24)

George Parker, A double ephemeris, for the year of our Lord, 1700..., London, printed for the author, at the Ball and Star in Salisbury-Court, and sold by W. Hunt at the Ball in Paul's Ally in St. Paul's Church-Yard, 1700, State Library Victoria, Melbourne (RAREEMM 325/24)

Almanacs were the most popular printed item sold in the seventeenth century: around 350,000 were printed each year.
There were many different kinds of almanac, but most were something like a combination of yearly planner, diary and encyclopedia.
As well as astrological information about events like phases of the moon, they often contained predictions, not just of natural events, but also of political ones (like the newsbooks they were often partisan).
In this time of turmoil almanacs offered, in many ways, a sense of personal control.
They also offered medical advice. This almanac is interleaved with a considerable number of medical prescriptions (for example, for rickets, for dropsy, to stop violent vomiting).
It also includes an especially intriguing recipe for a ‘Merry Pill’.
The pill contains ‘soapbark, hellebore seeds, nigella seeds, marjoram, rue and salvia’.
George Parker, <em>A double ephemeris, for the year of our Lord, 1700...</em>, London, printed for the author, at the Ball and Star in Salisbury-Court, and sold by W. Hunt at the Ball in Paul's Ally in St. Paul's Church-Yard, 1700, State Library Victoria, Melbourne (RAREEMM 325/24)

George Parker, A double ephemeris, for the year of our Lord, 1700..., London, printed for the author, at the Ball and Star in Salisbury-Court, and sold by W. Hunt at the Ball in Paul's Ally in St. Paul's Church-Yard, 1700, State Library Victoria, Melbourne (RAREEMM 325/24)

This almanac also contains appointments and specific, personal astrological information.
This material is carefully written out in a clear hand and was obviously intended for long and continuous use, which is also testified to by short entries from a number of different hands.
These include a nativity for an Ann Burgess, ‘born the 15th of June about 5 in the morning, 1683’, and appointments with a number of women who may have been suppliers of materials needed for alchemical and medical formulations, notably a Mrs Shakemaple of Rosemary Lane and a Mrs Ludwell at a chandler’s shop in Beech Lane.

Connections

The Battle of Naseby

In addition to being a poet and pamphleteer, George Wither was also a Civil War soldier. Surprisingly, he first fought on the side of Charles I, eventually switching his allegiance to Parliament. He fought at the Battle of Naseby against Charles’s forces led by the king’s charismatic nephew, Prince Rupert.

Discover more about the larger-than-life Prince Rupert and his controversial poodle, Boy.>

The trial of Charles I

The court that tried Charles I was led by John Bradshaw (1602–1659). After Charles’s execution, George Wither was a committee member for the disposal of royal regalia and had lawsuits to hold on to royal property. His lawyer was John Bradshaw. Wither dedicated a poem to Bradshaw commemorating Charles’s execution.

Find out more about the trial and execution of Charles I.>

Private to public collections

Over the course of his lifetime, Robert Burton amassed a significant personal library. After his death, it was divided between the Bodleian and Christ Church libraries at Oxford, where it can be accessed by the public today. Burton’s bequest forms part of the history of private collections becoming public. While Burton’s and Emmerson’s collections remain largely intact, other significant private libraries were dispersed upon the death of their owners.

Learn more about collectors, their methods and the fate of their collections.>